This book presents sixteen essays exploring the work of Ferdinand Bol and Govert Flinck. Authors from six different countries come together to investigate form, content,…
The diptych––comprising two hinged panels that can be opened and closed like a book––was prevalent in Netherlandish art and depicted subjects ranging from secular portraiture…
his project is catalogue of an exhibition that was displayed at the Harvard Art Museums, April 28–July 22, 2001, and Dallas Museum of Art, August…
In 2015, I was invited to join the Matariki Network of Universities collaborative initiative to digitize, study and conserve University numismatic collections. Through this research,…
Fifteenth-century sculptures in Lazio and Tuscany are painted and glazed red, blue, white, green, brown, gold, and other hues, making them alive according to contemporary…
When Maurice Denis published his proto-formalist manifesto, the ‘Définition du néo-traditionnisme’, in August 1890, he deployed the rhetorical conventions of what Martha Ward has called…
This is a contribution to Mapping Modernisms: Art, Indigeneity, Colonialism which brings together scholars working around the world to address the modern arts produced by indigenous and…
Some fifty years ago, the remote Arctic community of Cape Dorset was introduced to the ancient traditions of Japanese printmaking by a Canadian artist, James…
On this project, I worked with the Artifacts Conservation students in assisting the Agnes Etherington Art Centre with an immersion washing treatment of a donated, vintage…
This project is funded in part by the Pierre Elliot Trudeau Foundation Fellowship Award. It partners with Nunavummiut and museums to develop digital technologies that…